The band, named Bikini Kill, soon became part of the seminal Olympia, Washington music scene of the early 1990s. Upon returning to Olympia in 1990, Hanna began collaborating with Evergreen student and punk zinester Tobi Vail after seeing a performance of the Go Team (a band made up of Vail, Billy Karren, and Calvin Johnson) and recognizing Vail as the mastermind behind the fanzine Jigsaw that Hanna greatly admired and loved. Later, Hanna started another band called Viva Knievel that toured the United States for two months before disbanding. Hanna performing with Bikini Kill in 1991 Hanna then formed a band with Arbogast and Carland, called Amy Carter, which put on shows before the art exhibitions. Hanna recalled,Īcker asked me why writing was important to me, and I said, 'Because I felt like I'd never been listened to and I had a lot to say,' and she said, 'Then why are you doing spoken word-no one goes to spoken word shows! You should get in a band.' Eventually, she abandoned spoken word in favor of music after a conversation with one of her favorite writers, countercultural icon Kathy Acker. Hanna began doing spoken word performances that addressed sexism and violence against women. However, the school administrators took the photos down before they had the chance to be viewed, an act of censorship that prompted what Hanna refers to as her "first foray into activism": the creation of Reko Muse, an independent feminist art gallery, with friends Heidi Arbogast and Tammy Rae Carland. " While at Evergreen, with fellow student and photographer Aaron Baush-Greene, she set up a photo exhibit featuring the pair's photography, which dealt with sexism, violence against women, and AIDS – issues that were heightened for Hanna when she volunteered for SafePlace, a domestic violence organization. During this time she worked as a stripper to pay her tuition. After high school, she relocated from Portland to Olympia, Washington, to attend The Evergreen State College in the late 1980s. Upon her parents' divorce, Hanna returned to Portland and attended Lincoln High School. Their involvement in the women's rights movement was done quietly during Hanna's childhood, due to her father's disapproval. Hanna's interest grew when her mother checked out a copy of Betty Friedan's The Feminine Mystique from the library. Then she took me to the Solidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever." I used to cut pictures out of it and make posters that said 'Girls can do anything', and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. magazine came out we were incredibly inspired by it. In a 2000 interview with BUST magazine, Hanna recalled: "My mom was a housewife and wasn't somebody that people would think of as a feminist, and when Ms. where feminist icon Gloria Steinem spoke.
Hanna first became interested in feminism around the age of nine, after her mother took her to a rally in Washington, D.C. At age three, her family moved to Calverton, Maryland as Hanna's father changed occupations, the family moved several more times. Hanna was born November 12, 1968, in Portland, Oregon. Life and career 1968–1988: Early life and feminism